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04 · Shoot prep checklist

Shoot prep. Pit ready.

Four sections, just under forty items, written from working photographers' first three songs. Tick what you've packed or rehearsed, save your progress on this device, and print or save as PDF for the festival ground where there's no signal.

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01 · Coda Collective

Week before.

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The shoot is mostly won in the seven days before you get to the pit. Get these settled while you're still at a desk.

02 · Coda Collective

Gear.

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Pack it the day before. Lay it out on the floor, photograph it, then load. The photo is your insurance.

03 · Coda Collective

Camera settings.

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Every camera has its own quirks and works slightly differently. These are general starting points, not laws. The light will tell you the rest, but you want to be reading the light, not chasing the camera.

Outdoor day, festival stage

ISO 200-400
Shutter 1/1000s+
Aperture f/4-5.6
WB Daylight or AWB

Strong front-light. Meter for highlights. Watch for blown skin tones on white spotlights.

Indoor club

ISO 1600-6400
Shutter 1/200-1/400s
Aperture f/2-2.8
WB Tungsten or AWB

Mixed colour. Embrace it. Don't fight magenta with magenta.

Festival main stage, evening

ISO 800-3200
Shutter 1/250-1/500s
Aperture f/2.8-4
WB AWB

Light changes every song. Check histogram between songs, not during.

Theatre or sit-down

ISO 800-3200
Shutter 1/125-1/250s
Aperture f/2-2.8
WB AWB

Quiet venue. Single-shot, no burst. Cover your AF assist light with tape.

How we approach exposure when the lights are doing the work.

Read it in Front Row

04 · Coda Collective

First ten minutes on site.

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You signed in, you have a pit pass, the band starts in twenty. This is the order.

Your ticks are saved on this device only. We don't collect, send, or store them anywhere.

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