04 · Shoot prep checklist
Shoot prep. Pit ready.
Four sections, just under forty items, written from working photographers' first three songs. Tick what you've packed or rehearsed, save your progress on this device, and print or save as PDF for the festival ground where there's no signal.
Coda Photos · Shoot prep checklist · coda.photos/shoot-prep
Shoot prep.
01 · Coda Collective
Week before.
The shoot is mostly won in the seven days before you get to the pit. Get these settled while you're still at a desk.
02 · Coda Collective
Gear.
Pack it the day before. Lay it out on the floor, photograph it, then load. The photo is your insurance.
03 · Coda Collective
Camera settings.
Every camera has its own quirks and works slightly differently. These are general starting points, not laws. The light will tell you the rest, but you want to be reading the light, not chasing the camera.
Outdoor day, festival stage
Strong front-light. Meter for highlights. Watch for blown skin tones on white spotlights.
Indoor club
Mixed colour. Embrace it. Don't fight magenta with magenta.
Festival main stage, evening
Light changes every song. Check histogram between songs, not during.
Theatre or sit-down
Quiet venue. Single-shot, no burst. Cover your AF assist light with tape.
How we approach exposure when the lights are doing the work.
Read it in Front Row →How we approach exposure when the lights are doing the work. · coda.photos/front-row/exposure-when-the-lights-are-doing-the-work
04 · Coda Collective
First ten minutes on site.
You signed in, you have a pit pass, the band starts in twenty. This is the order.
Your ticks are saved on this device only. We don't collect, send, or store them anywhere.
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